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Watch indecisive cut and shock cut. Moving the camera around the subject horizontally while aiming at the subject creates different camera angles below:. We will see how static shots are identified by A scale and then B angle. At this point, make a 3D animatic by compiling pencil tested shots with the transitions and sounds. Among the following common shot sizes, the distance between the camera and subject varies: Extreme close-up shot Close-up shot Medium shot Medium wide shot American shot Wide shot full shot Extreme wide shot long shot. Shooting straight against walls produces flat compositions with little sense of depth in frame. See the camera positions A, B, and C in the figure on the right. The points where the vertical and horizontal lines cross are aesthetically pleasing spots to place subjects or to have perspective lines converge.

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